Jonathan Griffin

Thomas Solomon Gallery, Los Angeles

Analia Saban’s exhibition strives to entertain, despite its obvious handicap: all the paintings are grey. Within this austere limitation, Saban finds diverse and ingenious ways of dismantling the procedure of painting. By dispensing with colour (unless you insist that grey is a colour too), she directs our attention to paint’s constructive rather than representational qualities. Read the rest of this entry »