Benjamin Carlson

Park View, Los Angeles

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What more obvious subject could there be for a painting that deconstructs the mechanics of representation than a still life in front of a window? The window, as a picture within a picture, traditionally stands as a proxy for the painting – the painting’s self-image, as it were – while the still life has for centuries been a convenient armature for everything from allegories of mortality to investigations into optical perception. Read the rest of this entry »