Betye Saar

1969_SAAR_Black-Girls-Window

Black Girl’s Window (1969), Betye Saar. Photo: Rob Gerhardt/The Museum of Modern Art, New York; courtesy the artist and Roberts Projects, Los Angeles; © Betye Saar 2019

Betye Saar greets me, complaining. ‘I woke up in pain, so I’m grumpy today,’ says the artist, who will turn 93 a few days after we meet in late July. Recently she’s had to do so many ‘silly interviews’, she says, she has been left with no time to work. I’m not offended – it’s an understandable grievance. This year, when she might have hoped to enjoy some quiet time in her studio, or to tend her splendid hillside garden in Laurel Canyon, Los Angeles, she has instead been obliged to prepare for major solo exhibitions at the Los Angeles County Museum of Art (until 5 April 2020) and at MoMA in New York (until 4 January 2020). On 2 November she will be honoured at LACMA’s annual Art+Film Gala, a calendar highlight for Los Angeles’ cultured elite. Read the rest of this entry »