One afternoon in the early ’90s, the banking consultant Rudy Estrada returned to his mansion in Pasadena, Calif., to find two members of the local sheriff’s department standing over a lightly built African-American man spread-eagled on his front lawn.
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This summer, for the first time in two decades of drawing figures, Christina Quarles found out what it is like to be drawn by other people. During lockdown, she and a small group of friends and acquaintances organised socially distanced life-drawing sessions, taking it in turns to model.
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Jonathan Griffin 