Jonathan Griffin

Criticism and essays on art and culture

Month: December, 2021

Beatriz Cortez

Beatriz Cortez with Chultún El Semillero, 2021, in ‘FUTURES’, Arts and Industries Building, Washington DC © Greg Kahn

The Arts and Industries Building, built in 1881 by the Smithsonian Institution in Washington DC, began life as a place to house artefacts from the 1876 World’s Fair in Philadelphia. It became the US’s first national museum. Over the years, its purpose was rejigged as new Smithsonian museums spawned around it, and it accrued various nicknames from “the Mother of Museums” to “the Palace of Invention”.

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The Transcendental Painting Group

Composition #57/Pattern 29 (1938), Robert Gribboek. Fine Arts Museums of San Francisco Photo: Geistlight Photography, Albuquerque

Depending on who you ask, Helena Blavatsky was either a mystic and a sage who introduced Eastern spirituality to Western culture, with the stated aim of establishing ‘a universal brotherhood of humanity’, or she was a plagiarist, a racist and a fraud. If you ask me, she was a bit of both. Kurt Vonnegut called her ‘the Founding Mother of the Occult in America’, which is not entirely hyperbole. When she arrived from her native Russia, in 1873, the United States was already in the thrall of new religious movements such as Spiritualism, but it was Blavatsky’s co-founding of the Theosophical Society with fellow seekers Henry Olcott and William Quan Judge that cemented her influence on Western esotericism on both sides of the Atlantic. 

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