Jonathan Griffin

Criticism and essays on art and culture

Tag: betye saar

Betye Saar

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Betye Saar, Palm of Love, 1966 Etching with relief printing 48×66 cm. Courtesy: MoMA, New York

Betye Saar has lived in the same shingle-clad house up a winding lane in Laurel Canyon for nearly 60 years. To reach the front door, on the house’s top story, visitors ascend several flights of steps, passing the kind of thickly planted garden—filled with ornaments and trinkets—that can only be created with decades of care and cultivation.

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Betye Saar

Roberts & Tilton, Los Angeles

Betye Saar, Museum Het Domein, Sittard, the Netherlands, 2015.

Betye Saar, Pause Here – Spirit Chair, 1996, Mixed media assemblage with metal garden chair and neon, 31.5 x 24.5 x 20.5 in

Betye Saar’s double exhibition at Roberts & Tilton coincides with the opening of her career survey at the Fondazione Prada, Milan. The first exhibition, titled Black White (which opened a month before the second exhibition), is a more concise presentation in the gallery’s project space that arranges assemblage sculptures and collages spanning from the present back to an early etching by the artist – now a nonagenarian – from 1964. Blend, the second and more generously spaced display (actually including fewer works), occupies the main gallery. Its focus is the major mixed media installation Mojotech (1987), which stretches nearly 7.5 metres along one wall and was the outcome of a residency Saar undertook at the List Visual Arts Center at the Massachusetts Institute of Technology (MIT), in Cambridge. Read the rest of this entry »