Jonathan Griffin

Criticism and essays on art and culture

Tag: Blum & Poe

Darren Bader

Blum & Poe, Los Angeles

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Darren Bader, ‘character limit’, installation view, Blum & Poe, Los Angeles

 

How much of Darren Bader’s art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader’s work both critiques and thrives on. “The world is full of objects, more or less interesting; I do not wish to add any more,” Douglas Huebler famously wrote in 1970. The question of whether Bader is adding more objects to the world depends on whether you consider two existing objects placed together to constitute a new object, or just a reconstitution of what was already there. It also depends on whether you consider a near facsimile of an existing object to be a new object. It depends—crucially—on whether an object can consist of language alone.  Read the rest of this entry »

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Robert Colescott

Blum & Poe, Los Angeles

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Robert Colescott, Portrait of the Artist at 85, 1978, Acrylic on canvas, 83 7/8 x 65 3/4 x 1 5/8 inches. Courtesy of Blum & Poe, Los Angeles

The last work in Robert Colescott’s exhibition at Blum & Poe is a drawing that, for me, comes close to unlocking the entire show. In it, God – a long-haired, bearded white man – flanked in his throne by two jackbooted, fascistic angels, directs Martin Luther King (identifiable by the gunshot wound in his chest, and also a helpful label) towards hell, where a black-skinned Lucifer, grinning grotesquely, beckons him down. Read the rest of this entry »

Alma Allen

Blum and Poe, Los Angeles

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An artist like Alma Allen causes certain categorical predicaments for those who try to write about the extraordinary objects he has been quietly making for over two decades. He is a self-taught artist who is far from Outsider, a craftsman who makes furniture as well as functionless objects, an artist who in 2013 was plying his trade at the Echo Park Craft Fair and in 2014 was lauded as a highlight of the Whitney Biennial, and a private figure whose troubled backstory adds gravitas to his outwardly quixotic creations. Read the rest of this entry »