Jonathan Griffin

Criticism and essays on art and culture

Tag: Celeste Dupuy-Spencer

Made in L.A. 2018

Hammer Museum, Los Angeles

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Celeste Dupuy-Spencer, George Jones Greeting the Newest Members of Heaven’s Band, 2017

Not so much a city as an unevenly populated, multi-centered megalopolis, and not so much a year as a point in an escalating concatenation of national and global crises, there might seem to be no possible way to get “Made in L.A. 2018” right. Add to that the divisions within LA’s art community that mirror many of the historically entrenched divisions within the city itself—between east and west, north and south, white and non-white, gentrified and gentrifying, young and no longer young, left and far left. If artists, as “Made in L.A. 2018” curators Anne Ellegood and Erin Christovale write, are “some of our most active citizens,” then biennial curators might be something akin to well-intentioned politicians, expected to represent a plurality of impassioned positions while trying also to retain sight of their own. Read the rest of this entry »

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Power to the People

 

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Lynette Yiadom-Boakye, Pale For The Rapture, 2016, Oil on linen. Diptych: 200 x 120 x 3.7 cm each. Courtesy: Corvi-Mora, London, and Jack Shainman Gallery, New York

Anyone who informs you that there’s been a recent resurgence of figurative painting – especially the kind of person who says this in relation to portraiture by artists such as Lynette Yiadom-Boakye, Aliza Nisenbaum, Jordan Casteel, Celeste Dupuy-Spencer and Njideka Akunyili Crosby – should be swiftly apprised that portraiture never went away. Throughout recent decades there have been overlapping waves of painters returning to this most traditional of genres. Read the rest of this entry »