Jonathan Griffin

Criticism and essays on art and culture

Tag: Jim shaw

Jim Shaw

Marciano Art Foundation, Los Angeles

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Jim Shaw, ‘The Wig Museum’, Installation view at Marciano Art Foundation, 2017. Courtesy of the artist and Marciano Art Foundation. Photograph by Robert Wedemeyer

At the dark heart of Jim Shaw’s ‘The Wig Museum’ – an exhibition presented in a former Masonic Temple repurposed by brothers Maurice and Paul Marciano for their private art foundation, and incorporating myriad improbable Masonic artefacts salvaged directly from the bowels of the building – is a story about male ambition, authority, secrecy and repression. The narrative unfurls across a series of found drawings: coursework from ‘The Famous Artist’s Correspondence Course’, which Shaw discovered among his father’s belongings after he died. In red crayon on tracing paper overlays, instructors opine on Shaw Sr.’s drawings of animals, faces and women (lots of women). ‘Heads need to be longer, prettier,’ says one. Typewritten letters, dated 1955 to 1957, critique – in detail – the artist’s technical weaknesses. Apparently, Mark Shaw never gave up his day job doing package design for Dow Chemical. Read the rest of this entry »

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What Nerve!

Rhode Island School of Design Museum, Providence

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Jim Nutt, Her Face Fits, 1968

The rambunctious exhibition “What Nerve! Alternative Figures in American Art, 1960 to the Present” began life as an idea for a show about the Hairy Who. Seeking to broaden the scope of the project, curator Dan Nadel traced the lines of influence around the 1960s group of Chicago Imagists to include an alternative, subversive history of modern art that is little studied in art colleges and under-represented in museum collections. Read the rest of this entry »