Lisa Yuskavage

The Tongue Tondo (2018), Lisa Yuskavage. Courtesy the artist and David Zwirner; © Lisa Yuskavage

Sometime not long ago, before the pandemic rendered such gatherings unconscionable, I met up with a few fellow critics for drinks at a friend’s house. At one point in the evening, during a boisterous discussion about artists’ personal politics, someone casually remarked that so-and-so was ‘definitely a misogynist’, and everyone roundly agreed before cantering on with the conversation.

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