Jonathan Griffin

Criticism and essays on art and culture

Tag: Lari Pittman

Lari Pittman

Hammer Museum, Los Angeles

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Lari Pittman, ‘Declaration of Independence’, Hammer Museum, Los Angeles

You sense his ambition right from the get-go. Not career ambition, necessarily – though that must have been a part of it, and would even have been a political position for a queer Latino painter in 1980s Los Angeles – but an ambition to cover more ground in a single painting than had hitherto seemed possible, or desirable. Read the rest of this entry »

Lari Pittman

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Left: Portrait of a Textile (Damask), 2018, Cel-vinyl, spray enamel on canvas over wood panel 81 x 70 x 2 inches Right: Portrait of a Human (Pathos, Ethos, Logos, Kairos #14), 2018, Cel vinyl and spray paint over linen mounted on wood panel, 28 5/8 x 24 1/2 x 1 3/4 inches Courtesy: Regen Projects

Since he began exhibiting them in the early 1980s, Lari Pittman’s paintings have agitated for a principle of radical equivalency, a democratic (re)evaluation of all content as being equal in status (or, at least, potentially equal) once it manifests on the paper or canvas. In his exhibition ‘Portraits of Textiles & Portraits of Humans’, Pittman presents 12 pairs of paintings, one large and one small, one depicting an invented textile pattern and one an invented portrait. The show’s conceit, in crude terms, is that a portrait of a face and a design for a fabric are interchangeable – that a pattern can be a portrait and, inversely, a face can be a pattern, or an arrangement of patterns, in the broadest sense of that word. Read the rest of this entry »