Jonathan Griffin

Criticism and essays on art and culture

Tag: Mark Bradford

Mark Bradford

Mark Bradford, Q1, 2020 © Mark Bradford. Courtesy the artist and Hauser & Wirth Photo: Joshua White / JWPictures

“I’m adjusting to life on Mars,” says the artist Mark Bradford, as he folds his frame into a chair positioned a prudent nine feet from my own, and unpeels his mask from behind his ears. Yes, he says, his glasses fog up, too.

Since mid-March, when California’s governor, Gavin Newsom, issued a statewide “stay at home” order, Mr. Bradford has kept a low profile. Throughout the nationwide unrest that flared after the killing of George Floyd, he remained silent. While Mr. Bradford, 58, is one of the more visible figures in the arts community in Los Angeles, he is not on social media. But with three new paintings on the wall in front of us, he’s finally ready to talk.

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Mark Bradford

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Mark Bradford, Black Venus, 2005, mixed-media collage, 330 × 498 cm. Photo: Jason Dewey. © the artist. Courtesy the artist and Hauser & Wirth, London & Los Angeles

 

It was a stupid question anyway. Something about having success and opportunity and yet continuing to experiment, still taking risks. Though he has made sculptures, videos and site-specific installations, Mark Bradford was first celebrated, early in his career, for his panoramic, expressively exhausted collage-paintings made from sanded strata of coloured paper, which were almost always understood as reflecting the gritty streetscape of South Central Los Angeles. A long Los Angeles Times profile from 2006, a decade after he graduated from art school, describes him as a ‘hometown boy made good on the international art scene’. His first solo show at a major commercial gallery was in 2001, at Lombard-Freid Fine Arts, New York, sassily titled I Don’t Think You Ready For This Jelly. Since then his work has climbed in value, shored up by solid institutional support – a professional status reflected this year in his representation of the United States at the Venice Biennale. Read the rest of this entry »