‘Stories of Almost Everyone’

Hammer Museum, Los Angeles

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Kapwani Kiwanga, Flowers for Africa, 2014. Installation view, Hammer Museum, Los Angeles. Photo: Joshua White.

In 1997, artist and scholar Rhonda Roland Shearer published a paper alleging that each and every one of Marcel Duchamp’s readymades was in fact meticulously handmade: in other words, a fake. Though the idea of Duchamp perpetrating such an elaborate (and quintessentially Duchampian) hoax is an appealing one, Shearer’s theory gained little traction within the academic community. (‘If she’s right,’ sniffed Arthur Danto, ‘I have no interest in Duchamp.’) It came to my mind, again, in ‘Stories of Almost Everyone’, organized by Hammer Museum curator Aram Moshayedi, which elaborates not so much on the subject of craft but of craftiness, and on the integral untrustworthiness of the readymade as an artistic form. Read the rest of this entry »