Naama Tsabar

Shulamit Nazarian, Los Angeles

Tsabar work-on-felt-variation-22-purple-_naama-tsabar_shulamit-nazarian_a2

Naama Tsabar, Work on Felt (Variation 22) Purple, 2019, Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, piano string, piezo microphone, guitar amplifier, 73 x 65 x 30 inches

I noticed no actual signage letting gallery visitors know that it was OK to touch certain of Naama Tsabar’s wall-mounted artworks. Fortunately, Israeli-born, New York-based Tsabar is becoming increasingly well known for her interactive Works on Felt series, begun in 2012: panels of thick felt, curling away from the wall (or, initially, the floor) under tension from taut piano wires. Those wires are connected to hidden microphones, which are in turn connected to cables that hang down and plug into nearby guitar amps. When struck – as a gallery director helpfully demonstrated, encouraging me to do the same – the wires produce a twang whose pitch can be modulated by flexing the felt. Stroking the felt creates a sound too. Four iterations of the series hang in this exhibition, variations (to use Tsabar’s terminology) 21 through 24. Read the rest of this entry »