Jonathan Griffin

Criticism and essays on art and culture

Tag: rebecca morris

‘With Pleasure: Pattern and Decoration in American Art, 1972–85’

Museum of Contemporary Art, Los Angeles

MOCA_2019_12_03_023_v2.jpg,1000

View of “With Pleasure: Pattern and Decoration in American Art 1972—85” at the Museum of Contemporary Art, Los Angeles, 2019–20. Image courtesy of the Museum of Modern Art, Los Angeles. Photo by Jeff Mclane.

Pattern and Decoration (P&D), a tendency which crystallized into a movement in New York in the mid-1970s, is one of the few movements of modern art to have self-designated, rather than been identified either by critical champions (think of Germano Celant and Arte Povera) or by sneering skeptics (Finish Fetish, Fauvism). Its members, though heterogeneous in their work, were united in their artistic tastes and temperament: they espoused a maximalist aesthetic that drew from global traditions and sources, also often aligned with feminist art practices that embraced domestic handicrafts. They had no manifesto, but critical allies including Amy Goldin and John Perreault have written eloquently about their work and aims. According to Perreault, “Pattern painting is non-Minimalist, non-sexist, historically conscious, sensuous, romantic, rational, decorative. Its methods, motifs, and referents cross cultural and class lines.”1 Read the rest of this entry »

Made in Space

Night Gallery, Los Angeles
Made in Space 1

Is it possible to talk about art made in Los Angeles without crediting the city with everything that makes its art unique? Why are artists in Southern California so often asked to explain how their work is influenced by its infrastructure or climate? Is “Made in Space,” the exhibition curated by artists Peter Harkawik and Laura Owens, an antidote to these tendencies or is it a symptom? Read the rest of this entry »