Darren Bader

Blum & Poe, Los Angeles

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Darren Bader, ‘character limit’, installation view, Blum & Poe, Los Angeles

 

How much of Darren Bader’s art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader’s work both critiques and thrives on. “The world is full of objects, more or less interesting; I do not wish to add any more,” Douglas Huebler famously wrote in 1970. The question of whether Bader is adding more objects to the world depends on whether you consider two existing objects placed together to constitute a new object, or just a reconstitution of what was already there. It also depends on whether you consider a near facsimile of an existing object to be a new object. It depends—crucially—on whether an object can consist of language alone.  Read the rest of this entry »