Jonathan Griffin

Criticism and essays on art and culture

Month: October, 2019

Dilexi

Whatever Gets You Through the Night:
The Artists of Dilexi and Wartime Trauma

HWES-0001

H.C. Westermann, March or Die (1966). Pine, redwood, leather, ebony, metal, felt, and ink, 30.75 × 20 × 10.5 inches. Image courtesy of the artist and the Landing. Photo: Joshua White.

 

If you sometimes find life in America in 2019 to be a little too much, imagine living in California in the early 1960s. Since the end of the Second World War—a conflict that, for the United States, superficially led to domestic prosperity—the world had been racked with anxiety over the possibility of atomic apocalypse, while under McCarthyism a new strain of Fascism was spreading on home soil. Then just as progressive causes—including civil rights for African Americans—seemed to be gaining some ground, Kennedy was assassinated for no apparent reason, and for many on the left, all seemed utterly lost. Read the rest of this entry »

Mary Corse

Los Angeles County Museum of Art

MaryCorse

Mary Corse: A Survey in Light, 2019 (installation view, Los Angeles County Museum of Art). © the artist and Museum Associates/LACMA

When good art looks bad in a particular exhibition space, do we fault the artist, the curator, the institution or the architect? Mary Corse’s retrospective A Survey in Light, which travelled from the Whitney Museum of American Art, New York, to the Los Angeles County Museum of Art, is an unsatisfying tribute to the Los Angeles-based painter, who over half a century has devoted herself to a deep but narrowly focused body of work. Read the rest of this entry »