The riotous, lurid paintings of Jamian Juliano-Villani speak in a language familiar from popular culture, but they articulate things never dreamt even by the most twisted imagination. Aliens having sex, suicidal trousers, and deviant Japanese river imps are just a few of the images that populate her paintings. Despite her work’s irreverent tone, Juliano-Villani is involved in a serious, introspective exploration of her own psyche, of the ethics of appropriation, and of the possibilities for contemporary painting.
We spoke in her Brooklyn studio in May 2014. Read the rest of this entry »