Jonathan Griffin

Gina Beavers, Memphis BBQ (looks like a Gina Beavers), 2013, acrylic on canvas, 40 x 40 cm. Courtesy: the artist and Michael Benevento, Los Angeles; photograph: Jeff McLane

Modelling the surface of a picture into a 3D relief, with contours that boost the image with real shadows and highlights, is a technique so crassly obvious that it is a wonder you don’t see it more often – not only in art but in visual culture in general. Why not, in order to snag the attention of easily distracted viewers, just make images that physically pop out from the wall? Read the rest of this entry »