Jonathan Griffin

Criticism and essays on art and culture

Tag: wallace berman

Dilexi

Whatever Gets You Through the Night:
The Artists of Dilexi and Wartime Trauma

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H.C. Westermann, March or Die (1966). Pine, redwood, leather, ebony, metal, felt, and ink, 30.75 × 20 × 10.5 inches. Image courtesy of the artist and the Landing. Photo: Joshua White.

 

If you sometimes find life in America in 2019 to be a little too much, imagine living in California in the early 1960s. Since the end of the Second World War—a conflict that, for the United States, superficially led to domestic prosperity—the world had been racked with anxiety over the possibility of atomic apocalypse, while under McCarthyism a new strain of Fascism was spreading on home soil. Then just as progressive causes—including civil rights for African Americans—seemed to be gaining some ground, Kennedy was assassinated for no apparent reason, and for many on the left, all seemed utterly lost. Read the rest of this entry »

Tinseltown in the Rain

Telles Fine Art, Los Angeles

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Man Ray once commented that ‘there was more surrealism rampant in Hollywood than all the surrealists could invent in a lifetime’. The line comes to us via William Copley, who, in 1949, exhibited canonical works by Max Ernst, René Magritte, Man Ray and others in a short-lived gallery in Beverly Hills, to almost universal indifference. There were, however, a handful of Los Angeles artists who took notice, including Lorser Feitelson, Helen Lundeberg, Peter Krasnow and Knud Merrild. These artists and many more are brought together by curator Max Maslansky in ‘Tinseltown in the Rain: The Surrealist Diaspora in Los Angeles 1935–69’. Read the rest of this entry »